Brent Lee
Born Sydney, Australia, 1988
An Australian furniture and interior designer, Lee situates his practice within a wide historical continuum, drawing from the disciplined monumentality of Roman architecture, the proportion and clarity of mid-to-late eighteenth-century French Neoclassicism, and the measured restraint often associated with Belgian minimalism. Across interiors and collectible furniture alike, his work is guided by architectural principles that emphasize permanence, structural legibility, and material integrity
In his furniture collections, Lee does not directly reference historical forms, but rather distills their underlying logic. His sculptural works sits at the intersection of art, architecture, and artifact. Defined by mass and proportion, each work explores tension between weight and lift, density and refinement, asserting physical authority while maintaining compositional balance. Material depth and surface articulation are employed not as ornament, but as extensions of structure that create cultural and emotional resonance
Lee established his eponymous studio following architectural studies in Sydney and earlier studies in fashion design in Melbourne. This dual foundation of structure and silhouette continues to inform his approach to interiors and furniture. His work extends across Australia, Los Angeles, and Paris, shaped through collaboration with artisans, architects, and galleries, and guided by a consistent commitment to clarity, proportion, and material discipline
STUDIOTWENTYSEVEN
BRENT LEE
Brent Lee
Born Sydney, Australia, 1988
An Australian furniture and interior designer, Lee situates his practice within a wide historical continuum, drawing from the disciplined monumentality of Roman architecture, the proportion and clarity of mid-to-late eighteenth-century French Neoclassicism, and the measured restraint often associated with Belgian minimalism. Across interiors and collectible furniture alike, his work is guided by architectural principles that emphasize permanence, structural legibility, and material integrity
In his furniture collections, Lee does not directly reference historical forms, but rather distills their underlying logic. His sculptural works sits at the intersection of art, architecture, and artifact. Defined by mass and proportion, each work explores tension between weight and lift, density and refinement, asserting physical authority while maintaining compositional balance. Material depth and surface articulation are employed not as ornament, but as extensions of structure that create cultural and emotional resonance
Lee established his eponymous studio following architectural studies in Sydney and earlier studies in fashion design in Melbourne. This dual foundation of structure and silhouette continues to inform his approach to interiors and furniture. His work extends across Australia, Los Angeles, and Paris, shaped through collaboration with artisans, architects, and galleries, and guided by a consistent commitment to clarity, proportion, and material discipline
STUDIOTWENTYSEVEN