EXCLUSIVELY FOR STUDIOTWENTYSEVEN
LIMITED EDITION 8
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
ANTI COLLECTION
YEAR 2024
VERDE MOSAICO MARBLE
| IN | H | 14.9 | W | 68.8 | D | 55.1 | ||||
| CM | H | 38 | W | 175 | D | 140 |
CUSTOM SIZE OR FINISH ON REQUEST
HANDCRAFTED IN ITALY BY SERAFINI
EDITION NUMBER 1/8 AVAILABLE
DETAILS
BIOGRAPHY
DOWNLOAD PRODUCT INFO
STUDIOTWENTYSEVEN
Jimmy Delatour
Born Paris, France, 1985
A French designer and art director, Delatour is driven by his love for architecture and furniture design masters. With sharp, radical lines and experimentation with shape and material, he combines his contemporary sensibility with inspired references to Louis Kahn, Tadao Ando, and Agustin Hernandez Navarro. Delatour’s first collection of furniture focused on copper and concrete, while his limited edition pieces for STUDIOTWENTYSEVEN are architectural explorations of arches, full volumes, and travertine
Based in Paris, Delatour graduated from Penninghen in 2008 and founded his own studio Delatour Design Paris. As an art director and Brand Designer, he has worked on projects for brands including Sonia Rykiel, Hédiard, Rodin Museum, Paris Opera, Orange and Peugeot
STUDIOTWENTYSEVEN
Anti
The Anti collection by Jimmy Delatour resists the conventional boundaries of design and asserts itself as a radical proposition in functional art. Composed of a dining table, coffee table, and console, the collection interrogates the symbolic, functional, and existential roles assigned to everyday objects. At once sculptural and utilitarian, the collection is anchored by a central void—an absence that becomes the core of its meaning. This formal rupture, a literal hole in the middle of each table, shifts attention away from surface aesthetics and toward conceptual provocation
The void operates as a philosophical device—a spatial interruption that invites introspection as much as interaction. It gestures toward the fragility of human connection, the social rituals of sharing, and the paradoxes of consumption and emptiness. The tables are not merely support surfaces but platforms for discourse, emotional exchange, and critical engagement
Handcrafted in Italy from Verde Mosaico marble, each work bears the tension between ancient material and contemporary inquiry. The rich visual complexity of the stone—with its deep greens and intricate veining—imbues the works with a sense of geological permanence, while the abstract geometry and precision-carved cavities introduce an architectural clarity that feels distinctly modern
Exclusively for STUDIOTWENTYSEVEN and in strictly limited editions of eight, each table is less an object than a system of thought—an intellectual construct rendered in stone. Through masterful craftsmanship and conceptual rigor, Delatour invites us to reconsider the ontological status of the table itself, and by extension, the way we shape and are shaped by the objects in our daily lives
STUDIOTWENTYSEVEN