BABLIANO COFFEE TABLE II BY BRENT LEE

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BABLIANO COFFEE TABLE II
BY BRENT LEE

EXCLUSIVELY FOR STUDIOTWENTYSEVEN

LIMITED EDITION 12
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
BABLIANO COLLECTION
YEAR 2026

BLACKENED BRONZE

IN	H	17.7	W	82.6	D	28.9
CM	H	45	W	210	D	73.5

HANDCRAFTED IN FRANCE BY ATELIERS SAINT-JACQUES

BIOGRAPHY
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The Babliano Collection draws upon the carved permanence of ancient artifacts and ritual objects, alongside the disciplined proportion of classical architectural traditions. Echoes of Roman structural clarity and the restrained precision of French Neoclassicism are present throughout, which Lee reinterprets through a contemporary sculptural language that privileges stillness, gravity, and spatial awareness

Each work emerges with controlled force. Mass transitions gradually into curve and edges soften into shadow. Planes are calibrated to receive and temper light, allowing the works to shift subtly in response to movement and human presence. Rather than decorative gesture, form is resolved through proportion and structural coherence. The works are conceived with architectural rigor, emphasizing structure, balance, and material weight

Executed in blackened bronze and handcrafted in France by Ateliers Saint-Jacques, the works embody a disciplined approach to European craftsmanship. The depth of the patinated surface absorbs and modulates light, enhancing the perception of weight while revealing quiet tonal variation. Subtle traces of hand-finishing remain visible upon close inspection, reinforcing the material’s integrity and the presence of the maker

The Babliano Collection exemplifies Lee’s architectural methodology as works that assert physical authority while maintaining compositional balance and cultural resonance. Their timelessness is embedded in material, proportion, and the disciplined act of making

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BRENT LEE

BORN SYDNEY, AUSTRALIA, 1988

An Australian furniture and interior designer, Lee situates his practice within a wide historical continuum, drawing from the disciplined monumentality of Roman architecture, the proportion and clarity of mid-to-late eighteenth-century French Neoclassicism, and the measured restraint often associated with Belgian minimalism. Across interiors and collectible furniture alike, his work is guided by architectural principles that emphasize permanence, structural legibility, and material integrity

In his furniture collections, lee does not directly reference historical forms, but rather distills their underlying logic. His sculptural works sits at the intersection of art, architecture, and artifact. defined by mass and proportion, Each work explores tension between weight and lift, density and refinement, asserting physical authority while maintaining compositional balance. Material depth and surface articulation are employed not as ornament, but as extensions of structure that create cultural and emotional resonance

Lee established his eponymous studio following architectural studies in Sydney and earlier studies in fashion design in Melbourne. This dual foundation of structure and silhouette continues to inform his approach to interiors and furniture. His work extends across Australia, Los Angeles, and Paris, shaped through collaboration with artisans, architects, and galleries, and guided by a consistent commitment to clarity, proportion, and material discipline

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