DACQUOISE SIDEBOARD BY MAXIME BOUTILLIER

DACQUOISE SIDEBOARD
BY MAXIME BOUTILLIER

EXCLUSIVELY FOR STUDIOTWENTYSEVEN

LIMITED EDITION 30
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
PALAIS COLLECTION
YEAR 2022

DARK WALNUT FRAME
EXTERIOR WRAPPED IN ALEXANDER VELVET FABRIC BY DEDAR
SOLID BRASS HANDLES
4 DOORS, 4 SHELVES

IN H 36.6 W 86.2 D 22.4
CM H 93 W 219 D 57

CUSTOM SIZE ON REQUEST

HANDCRAFTED IN FRANCE

BIOGRAPHY
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The PALAIS collection reimagines the sideboard as an object of softness and sensuality. Cylindrical structures in solid walnut, capped with spheres at each end, frame undulating panels wrapped in deep velvet, perfectly color-matched to the wood. This velvet, following the sculpted rhythm of the surface, plays with light to highlight every curve—inviting both the eye and the hand to explore its contours

The ensemble, sensually uniform, fuses the warmth of fabric with the precision of polished wood, creating a surface where the boundary between material and shadow gently dissolves. PALAIS’s sculptural aesthetic evokes a refined pastry—a magnified confection where each detail seems crafted purely for the pleasure of the senses. The handles, solid patinated brass spheres nestled in the folds of the waves, appear suspended within the fluting. They spark curiosity and invite the hand, almost instinctively, to open the piece

Handcrafted in France in collaboration with exceptional artisans, these sideboards embody a savoir-faire where each gesture celebrates the union of artisanal rigor and organic fluidity. The PALAIS collection is an invitation to contemplation—where wood, velvet, and brass respond to one another in a quiet symphony of forms and materials

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BIOGRAPHY

Maxime Boutillier

Born Bordeaux, France, 1989

A French designer, Boutillier is renowned for his functional sculptures—objects conceived not merely to inhabit a space but to activate it, inviting contemplation and stirring the imagination. Guided by a passion for pure, sculptural aesthetics, he seeks to transcend functionality and create fully sensorial encounters. Each work becomes a fragment of poetry, a moment in which time seems to slow, offering an experience that is emotional, spiritual, communal, and enduring

Boutillier’s creative process is a continuous exploration of the exquisite tensions that shape the world: the rigorous and the fluid, the mineral and the organic, the ephemeral and the lasting. Rich in narrative, every work emerges from this search for equilibrium, where form and function find harmony, where materials express their own stories, and where the object itself becomes an invitation to wonder

His aesthetic vocabulary is defined by a relentless pursuit of essence, sobriety, and restraint. Yet Boutillier understands that theatricality and gesture can coexist with simplicity. In each creation, the study of proportion is paramount: every line and every curve is considered with precision, resulting in silhouettes that are both elegant and sensuous. His purity of form and meticulous craftsmanship, shaped by his training as an interior architect, ensure that nothing is extraneous

More broadly, Boutillier situates his work within the lineage of the 20th-century masters he reveres—Jean-Michel Frank, Jean Royère, Charlotte Perriand, Jean Prouvé, Pierre Paulin, and Josef Hoffmann—figures whose minimalist rigor, organic forms, structural poetry, and refined geometries continue to shape modern design. Their influence is evident in his pursuit of balance, where pure lines meet rich materials and functionality carries a subtle lyricism. Yet his creations move beyond homage, offering a distinctly contemporary vision in which traditional craftsmanship and modern sensibility converge

To bring his creations to life, Maxime Boutillier selects only noble, natural, and authentic materials, collaborating closely with exceptional French artisans. These materials are chosen not only for their inherent beauty but for their ability to extend the narrative he constructs through shape, volume, and proportion—creating a dialogue between the tangible and the imaginary. The resulting works merge the delicacy of artisanal craft with the depth of centuries-old expertise

Based in Paris, Boutillier is an Interior Architecture and Design graduate of the prestigious ESAG Penninghen. Before establishing his own studio, he joined Elliott Barnes Interiors and later Joseph Dirand Architecture, where he refined his design language over seven years. His experience working on luxury ready-to-wear boutiques, star-rated hotels, and private residences expanded his creative horizons and sharpened his eye. His work has since been featured at leading design fairs and in major international publications

Maxime Boutillier is exclusively represented by studiotwentyseven

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