DUNE SIDE TABLE BY TOM JABLIN

DUNE SIDE TABLE
BY TOM JABLIN

EXCLUSIVELY FOR STUDIOTWENTYSEVEN

LIMITED EDITION 8
DUNE COLLECTION
YEAR 2025

FUMED, MATTE EBONIZED OR GLOSS EBONIZED OAK WITH PELE TIGRE MARBLE

IN H 21.6 W 21.6 D 17.7
CM H 55 W 55 D 45

HAND SCULPTED IN FRANCE

EDITION NUMBER 1/8 AVAILABLE
LOCATION FRANCE

BIOGRAPHY
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Dune is inspired by the slow passage of time and the subtle influence of environmental forces on material form. Combining wood and stone, Jablin explores the dialogue between two radically different materials, embracing their inherent textures, strengths, and vulnerabilities—a record of what has been worked and what the earth left behind

A sculpted oak top, available in fumed, matte ebonized, or gloss ebonized finishes, sweeps downward in a single fluid gesture, its grain rendered visible and tactile through Jablin’s hand. Below, a raw slab of Pele Tigre marble rises to meet it, partially polished, partially untouched, its fractured amber and grey-green surface carrying the full geological memory of the stone

The works evoke a quiet process of erosion and transformation, where materials appear to mingle and reshape one another over time. The hardness of stone meets the softness of wood, creating forms that suggest movement, flux, and continual change—the way wind reshapes a dune not through force but through persistence, through the quiet accumulation of contact over time

Through these encounters, Dune reflects on how even the most enduring materials are shaped by the rhythms of nature. Hand sculpted in France and offered as a limited edition of eight, carrying within it the lasting influence of time, material, and the forces that quietly shape them both

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BIOGRAPHY

Tom Jablin

Born Angers, France, 1993

French sculptor Tom Jablin creates works that bridge the organic and the elemental, drawing upon the wild beauty of underwater and forest worlds to produce pieces that function as both artifacts and meditations on nature’s enduring legacy. Jablin conceives of sculpture as an act of dialogue—between body and material, between the human and the natural—resulting in works of rare emotional and physical presence

Carving marble and stone with exacting attention to the histories embedded within them, Jablin coaxes from each material its inherent character: muscles and tendons find their counterpart in veins and grains, bones and cartilage in knots and crystals. This union of the anatomical and the geological renders his sculptures at once primal and precise expressions of strength and fragility held in perfect equilibrium

Jablin’s practice is rooted in a deep commitment to environmental heritage, and his research into the provenance and legacy of his materials shapes every work he undertakes. Through his sculpture, he invites the viewer to inhabit a fragment of the natural world, untamed, luminous, and alive

STUDIOTWENTYSEVEN