MAGELLAN TABLE BY MAXIME D’ANGEAC

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MAGELLAN TABLE
BY MAXIME D’ANGEAC

EXCLUSIVELY FOR STUDIOTWENTYSEVEN

SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
MAGELLAN COLLECTION
YEAR 2024

SAINT-GOBAIN PARSOL BRONZE TINTED GLASS TOP WITH SLOPED UNDERSIDE
THREE POLISHED STAINLESS STEEL LEGS

IN	H	29.1	Ø	62.9
CM	H	74	Ø	160

CUSTOM SIZE OR FINISH ON REQUEST

HANDCRAFTED IN FRANCE

BIOGRAPHY
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The Magellan collection invites exploration into a world where curve becomes language and the softness of form embraces the brilliance of material. Designed as a cohesive ensemble, each piece enters into dialogue with the next, balancing and responding to one another to create a harmony that is both organic and precise

Generous, enveloping curves meet geometric rigor throughout the collection, softened angles hinting at a quiet flexibility, while reflective surfaces play with distortion and blur the line between perception and reality. Together, the pieces compose an interior landscape where fluidity, precision, and comfort merge into a delicate alchemy of movement and stability

Volumes sculpted from continuous curves evoke travel and fluidity, while mirrored finishes, metallic thread, and luminous inlay punctuate each form with a controlled brilliance that draws out the depth of the velvet, the balance of proportion, and the meticulous construction that defines d’Angeac’s craftsmanship

The Magellan table asserts a geometric radicality within the collection. Its circular top, in tinted glass, holds a graphic purity and minimalist presence, set on a base of three metal columns finished in mirror for a contemporary edge

Handcrafted in France by Maxime d’Angeac in collaboration with Rinck Mobiliers, the Magellan table carries the collection’s sense of movement into stillness, a personal journey where sculptural form meets precision in equal measure

Interior by Maxime D’Angeac for The Orient Express Corinthian Sailing Yacht
Photography by Alice Mesguich

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Maxime D’Angeac

Born in Gers, France, 1962

French architect and designer, D’Angeac built his career across stage design, luxury retail, technical architecture, and refined private commissions, guided throughout by an obsession with the Italian Renaissance, Palladian architecture, and the perfect volumetry of palaces stripped of artifice. His fascination with ancient books and architectural treatises runs through every project he undertakes

D’Angeac approaches each commission with an emphasis on the plan, to which he adds the work of light and an exacting attention to detail, refusing any decorative demonstration in favor of spaces that feel lived in rather than staged. He manages every project from A to Z, from the first drawing to the acquisition of art, taking risks while always reassuring his clients. His practice moves between combat and romance in equal measure — the discipline to resolve every specification and whim, the romanticism to preserve the artistic side of the dream. This same duality defines him outside the studio: a second dan black belt in Krav Maga who trains daily in MMA. Whether designing a luxury private residence or a highly technical operating room for the American Hospital of Paris, he approaches every project with unyielding precision

Trained at the Beaux-Arts and a member of the French Architects’ Association, D’Angeac began his career creating scenography with Hilton McConnico for Daum and Hermès. He opened his own agency in 1992, leading major projects over the three decades that followed. Since 2021, he has served as Creative Director for the Orient Express, conceiving the return of the brand’s legendary train carriages alongside the interiors of the Orient Express Corinthian, the largest sailing yacht in the world

Maxime D’Angeac is exclusively represented by STUDIOTWENTYSEVEN

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