VENERE V3 CONSOLE BY SIMONE FANCIULLACCI

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VENERE V3 CONSOLE
BY SIMONE FANCIULLACCI

EXCLUSIVELY FOR STUDIOTWENTYSEVEN

ON VIEW AT STUDIOTWENTYSEVEN NEW YORK GALLERY

LIMITED EDITION 15+3 AP
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
VENERE COLLECTION

PATINATED CAST BRONZE OR CAST ALUMINUM

IN H 33.4 W 54.7 D 14.7
CM H 85 W 139 D 37.5

CUSTOM SIZE OR FINISH ON REQUEST

MADE IN ITALY

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The Venere collection by Simone Fanciullacci reinterprets the archetype of the female form through a series of sculptural works that evoke primitivism and sensuality. The collection is named for the Italian word for Venus — goddess of love, beauty, and fertility — and reimagines notions of classical beauty through abstracted, voluminous shapes that recall both Greco-Roman statuary and prehistoric fertility figures. The works directly reference the Venus of Willendorf, whose abstracted contours and voluminous presence have long symbolized fertility, sustenance, and the idealized body. Fanciullacci distills the essence of these historic forms into a contemporary aesthetic that is at once primitive and refined

Composed of patinated cast bronze or cast aluminum, the works possess a rich, textured surface that amplifies their organic character. The material treatment enhances the interplay of shadow and reflection, deepening the contrast between convex and concave forms. Swollen curves and recesses create a dynamic tension between mass and void, suggesting a balance between monumentality and fluidity

Handcrafted in Italy, Venere celebrates both the earthly and the divine, inviting reflection on the universality of the feminine archetype and the layered meanings it has accrued across time

Image from STUDIOTWENTYSEVEN NEW YORK GALLERY
Photo by William Jess Laird

VIEW SIMONE FANCIULLACCI WORKS

STUDIOTWENTYSEVEN

SIMONE FANCIULLACCI

Simone Fanciullacci

Born Genova, Italy, 1982

A Milanese designer, Fanciullacci considers his practice to be artistic research on THE RELATIONSHIP BETWEEN FORM AND SPACE. THE AIM BEHIND THIS QUEST IS TO UNDERSTAND THE RELATIONSHIP BETWEEN THE VOLUMES THAT GIVE LIFE TO A FORM, THE RHYTHM THAT CHARACTERIZES THEM, AND THE sense of BALANCE or DISEQUILIBRIUM THAT THEY EVOKE. His extraordinary sculptural works EMERGe FROM an EXPLORATory process OF HANDS-ON experimentation IN SCULPTURE, COLLAGE, DRAWING, and technical innovation. In This AESTHETIC AND POETIC INVESTIGATION, Fanciullacci finds FREEdom in playing WITH DIFFERENT LANGUAGES AND MATERIALS, eventually giving LIFE TO his UNIQUE WORKS AND OBJECTS

Fanciullacci produces his singular works in CLOSE COLLABORATION WITH the finest ITALIAN CRAFTSMEN. Because of his long lasting collaborative relationships with several local artisans, Fanciullacci is able to explore a range of ancient and innovative techniques alike, along with the possibilities of exquisite materials, such as bronze, aluminum, marble, stone and solid wood. each work is fully customizable and is crafted WITH THE AIM OF LASTING FOR generations, MAKing THE ACT OF COLLECTING A SUSTAINABLE CULTURAL STATEMENT

After receiving a degree in product design from the politecnico di milano, Fanciullacci launched his eponymous atelier in 2017. His work has been featured in premier design publications and has received numerous acknowledgements, including the IF Design Award, the Good Design Award, and an honorable mention for the XXII Compasso d’Oro Award. Since 2011, he has served on the design faculty at the politicnico di milano

STUDIOTWENTYSEVEN


Details

Venere

Exclusively for Studiotwentyseven, the Venere collection by Simone Fanciullacci reinterprets the archetype of the female form through a series of sculptural works that evoke primitivism and sensuality. The collection is named for the Italian word for Venus — goddess of love, beauty, and fertility — and reimagines notions of classical beauty through abstracted, voluminous shapes that recall both Greco-Roman statuary and prehistoric fertility figures. The works directly reference the Venus of Willendorf, whose abstracted contours and voluminous presence have long symbolized fertility, sustenance, and the idealized body. Fanciullacci distills the essence of these historic forms into a contemporary aesthetic that is at once primitive and refined

Composed of patinated cast bronze or cast aluminum, the works possess a rich, textured surface that amplifies their organic character. The material treatment enhances the interplay of shadow and reflection, deepening the contrast between convex and concave forms. Swollen curves and recesses create a dynamic tension between mass and void, suggesting a balance between monumentality and fluidity

Handcrafted in Italy and in strictly limited edition, Venere celebrates both the earthly and the divine,   inviting reflection on the universality of the feminine archetype and the layered meanings it has accrued across time

STUDIOTWENTYSEVEN

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