BY LUCA STEFANO
REBORN COLLECTION
YEAR 2025
POLISHED BRASS AND BURNISHED BRASS
IN | H | 23.6 | W | 11.4 | D | 6.3 | ||||
CM | H | 60 | W | 29 | D | 16 |
HANDCRAFTED IN ITALY
DETAILS
BIOGRAPHY
DOWNLOAD PRODUCT INFO
REBORN COLLECTION
YEAR 2025
POLISHED BRASS AND BURNISHED BRASS
IN | H | 23.6 | W | 11.4 | D | 6.3 | ||||
CM | H | 60 | W | 29 | D | 16 |
HANDCRAFTED IN ITALY
DETAILS
BIOGRAPHY
DOWNLOAD PRODUCT INFO
STUDIOTWENTYSEVEN
Luca Stefano
Born Milan, Italy, 1985
A Milan-based designer and architect, Stefano produces limited edition furniture and lighting pieces that embrace the rawness and simplicity of material, resulting in unique designs that represent a modern interpretation of design luxury. Always searching for new unexpected combinations of materials and forms, Stefano’s aesthetic vocabulary draws upon art, geometry, traditional Milanese architecture, and brutalism. Every piece is handcrafted with the highest standards and attention to detail of Italian artisans
After graduating from the Politecnico Di Milano with Honors, Stefano developed his artistic sensibility and style at prestigious interior design firms. In 2020 he founded his studio to create custom and limited edition pieces for art and design collectors
LUCA STEFANO IS EXCLUSIVELY REPRESENTED BY STUDIOTWENTYSEVEN
STUDIOTWENTYSEVEN
REBORN
A limited edition lighting collection by Luca Stefano, Reborn meditates on the sculptural potential of transformation. Rooted in a sustained observation of natural metamorphosis, particularly the regenerative morphology of the leaf, the collection translates organic evolution into a precise and materially rich design vocabulary. Handcrafted in Italy, the series comprises five distinct works in polished and burnished brass, each conceived as a formal study in tension, balance, and emergence
Each lamp is constructed from dual brass elements that mirror one another in outline but diverge in texture and tonality. The juxtaposition between the reflectivity of polished brass and the tactile softness of hand-burnished matte surfaces yields a complex visual dialogue: not merely a contrast of finishes, but an encounter between stillness and flux, gloss and shadow
Rather than static compositions, the forms appear to hover in a state of latent unfolding—suspended within an architectural logic that recalls vegetal structures at the moment of emergence. The interlocking brass elements articulate a precise volumetric choreography: one part enfolds, the other extends, creating a calibrated asymmetry that evokes not only growth but resilience
STUDIOTWENTYSEVEN