MANGABA TABLE LAMP BY CLÉMENT THEVENOT & JOYCE BROUSSILLOU

MANGABA TABLE LAMP
BY CLÉMENT THEVENOT & JOYCE BROUSSILLOU

LIMITED EDITION 8+4 AP
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
ARCHIPEL COLLECTION
YEAR 2024

WHITE PATTERNED GLASS BLOWN SHADE
CAST BRONZE STRUCTURE

IN H 28.7 Ø 6
CM H 73 Ø 15.4

CUSTOM SIZE OR FINISH ON REQUEST

HAND SCULPTED IN FRANCE

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CLÉMENT THEVENOT & JOYCE BROUSSILLOU

Clément Thevenot

Born Normandy, France, 2000

A multidiscplinary French artist, Thevenot creates subversive works that challenge us to remember our imperfect humanity in an age of automation, consumption, and conformity. At the intersection of art, design, and craftsmanship, Thevenot’s work possesses an ecstatic handmade quality that serves as a haven of freedom, creativity, and imagination

a celebration of artist’s idiosyncratic eye and the artisan’s singular hand, his work is an act of resistance to consumerism, mass production, and social strictures. Following the radical design movement of the 1960s, Thevenot seeks to challenge convention through unconstrained innovation and experimentation in both process and form. His work moves past mere functionality to become tokens of vitality, bold reminders of the human spirit’s capacity to dream and wonder

Based in Troyes, france, Thevenot collaborates closely with master craftsmen and works often with artist Joyce Broussillou, with whom he created the archipel series exclusively for studiotwentyseven. Prior to founding his atelier, Thevenot He studied at the École Supérieure de Design in Troyes and the Pontifical University of Rio de Janeiro. He honed is artistry alongside Vincent Dubourg and his artisanship at the foundry Macheret
 
 
 
Joyce Broussillou

Born France, 1999

A French artist working primarily in glass, Broussillou creates subversive works that serve as radical invitations to embrace imperfection and human fallibility in an era of artifice, disembodiment, and uniformity. At the intersection of art, design, and craftsmanship, Broussillou’s work possesses an ecstatic handmade quality that returns us to freedom, creativity, and imagination

Guided by a belief that seeing and making alike are idiosyncratic expressive acts, Broussillou’s work resists the conformity of an age of digital mass production. Inspired by the radical design movement of the 1960s, Broussillou defies convention through unconstrained innovation and experimentation in both process and form. her work moves beyond functionality to become a vital reminder of the human capacity to dream and wonder

Based in Troyes, france, Broussillou collaborates closely with master craftsmen and works often with artist Clément Thevenot, with whom she created the archipel series exclusively for studiotwentyseven. After studying at the École Supérieure de Design in Troyes and the Pontifical University of Rio de Janeiro. Broussillou worked alongside Vincent Dubourg, who led her new way of thinking and making objects, and honed her artistry at La Rochère glassworks

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