BY RONEN AZULAY
UNIQUE WORK
PULSE COLLECTION
YEAR 2025
MIXED MEDIA ON REPURPOSED DENIM, TEXTILES AND RECYCLED LEATHER
IN | H | 30 | W | 30 | ||||||
CM | H | 76.2 | W | 76.2 |
HANDCRAFTED IN AMERICA
AVAILABLE
LOCATION NEW JERSEY, USA
BIOGRAPHY
DOWNLOAD PRODUCT INFO
In Pulse, Azulay continues his tactile investigation into rhythm, presence, and internal awareness through a new visual lexicon. Departing from the circular motifs that have long characterized his practice, this series marks a formal and emotional shift toward linear structures that foreground organic, undulating intervals. This visual language that feels less enclosed, more open to interruption, improvisation, and directional flow. This evolution parallels the artist’s own trajectory from anxiety and constraint toward clarity, forward motion, and presence
Azulay’s materials—hand-cut textiles, repurposed leathers, and layered threads—are composed with a deliberate sensitivity to both repetition and variation. The surface of each work is constructed through a process of incremental assembly, where stripes appear not as decorative pattern but as registers of tempo, irregular yet precise. The resulting compositions suggest an embodied rhythm discovered and refined through the act of making
Despite their outward simplicity, the works in Pulse are charged with quiet complexity. The stripes vary in width, orientation, and density, generating subtle visual tensions that mirror the irregularities of lived experience. In this way, Azulay challenges the viewer to slow down—to move beyond the immediate graphic impact and engage with the layered nuances of material, rhythm, and repetition. Each work is an invitation to listen, to feel, and to resonate with the pulse that surrounds us all
In Endurance, Azulay distills the essence of persistence into a tightly composed visual field, where rhythm is rendered through repetition and restraint. Utilizing repurposed leather and denim alongside layered textiles, the work engages with the material language of labor, wear, and surfaces that bear the memory of time and use
The composition resists spectacle, instead drawing the viewer into a slow encounter with its layered intervals and subtle tonal shifts. Here, endurance is not dramatized but rather is embedded in the structure itself. The hand-sewn lines and carefully modulated textures speak to the accumulation of effort, to the resilience forged not through stasis but through ongoing recalibration