COLOROXYA III SCULPTURE BY TOM JABLIN

The Coloroxya collection draws from the depths—corals, shells, sponges, submerged mineral structures—reinterpreted through the lens of sculpture and the inherent drama of the stone itself. Each piece is carved by hand in France from rare marble selected for the tension written into its surface: the fractures, the veining, the stark contrast between light and dark that makes every form feel mid-transformation

Grand Antique marble grounds Coloroxya I in a stark duality—deep charcoal fractured by white, its knotted body coiling around itself like something caught between growth and stillness. Coloroxya II and III emerge in Opera Fantastico marble, warm ochres and sage greens streaked with burgundy, their spiraling and interlocking forms evoking fossilized movement, organic architecture rising from an imagined seafloor

Jablin does not impose upon the stone—he listens to it. The ruptures and geological layers become part of the composition, as inseparable from the work as the sculptor’s hand. What results is a collection that oscillates between mineral permanence and living form, between structure and fluidity, between what the earth has held for millennia and what the artist has chosen to set free

Each sculpture is hand carved in France, a unique work existing at the intersection of natural force and human intention—a fragment of an imaginary seabed brought into permanent form