EXCLUSIVELY FOR STUDIOTWENTYSEVEN
UNIQUE WORK
YEAR 2023
CERAMIC
| IN | H | 18.8 | W | 19.6 | D | 11.8 | ||||
| CM | H | 48 | W | 50 | D | 30 |
CUSTOM SIZE OR FINISH ON REQUEST
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STUDIOTWENTYSEVEN
Katharina Kaminski
Born Montevideo, uruguay, 1994
a Paris based artist born in Uruguay, Kaminski works in sculpture and installations. approaching her art practice as an exploration of the subconscious, kaminski’s work asks fundamental questions about who we are, contemplating what it means to have Both spirit and a body, a metaphysical existence in a physical world. Seeking to understand the origin of all life and the universality of human experience, kaminski employs a sculptural vocabulary that celebrates that dialectic of spirituality and embodiment, gravitates towards strangeness in form, and draws upon surrealism and abstraction to help us see the familiar anew. Following her intuition and the hidden language of dreams, Kaminski sculpts and molds against the norm imposed by reason and logic to find what lies beneath the apparent order of things
Kaminski works in ceramic, marble, and bronze, varying in scale and form. Interested in unexpected and shifting perspectives, her work employs elements of the zoomorphic, the amorphous, the alien, and the meteoric. A number of her sculptures integrate fire, giving this primordial element a container and a form within the body. Inspired by sanctuaries and with the intention of creating a sheltered space for emotion, Kaminski’s installations are composed with clay, space, sound, silence, light, and darkness. Her work invites us to moments of inner contemplation, to create our own sacred rituals that engender expansiveness and unity with both the seen and unseen world
kaminski’s work has been featured in premiere art and design publications and is available exclusively at studiotwentyseven
Studiotwentyseven
Telescopio Invertido Brown
Kaminski’s ‘Telescopios’ series draws inspiration from telescopes, exploring the connection between the celestial and earthly realms. The series employs a surrealist approach, transforming the instrument into an abstract form that suggests a link between the mysteries of the subconscious and the wonders of the physical world. Kaminski invites us to ponder how we find meaning and belonging in the mystical space between the terrestrial, the spiritual, and the cosmic
EXCLUSIVE TO STUDIOTWENTYsEVEN, the unique “TELescopio Invertido Brown” showcases Kaminski’s masterful skill in working with clay. These large, rounded forms become containers for multiple ways of making meaning of the universe. Recalling their namesake instrument, the sculpture honors scientific advancement while recognizing that science alone cannot explain the wonders of space or the depths of our interior selves. We see kaminski’s distinctive hand in the work, suggesting that we cannot lose our imperfect humanity in the search for answers. Kaminski invites us to consider if there is something rougher, something older, something darker and deeper that we must investigate to understand our place in the cosmos
STUDIOTWENTYSEVEN