BY MAXIME BOUTILLIER
EXCLUSIVELY FOR STUDIOTWENTYSEVEN
NUMBERED EDITION
ÉCHASSIER COLLECTION
YEAR 2026
UPHOLSTERED IN BARLEY OR VANILLA ALMOND ALPAGA VELVET BY JOHN HUTTON
SEMI-MATTE LIGHT NATURAL OAK FRAME
| IN | H | 31.4 | W | 17.7 | D | 17.7 | SH | 31.4 | ||
| CM | H | 80 | W | 45 | D | 45 | SH | 80 |
CUSTOM SIZE OR FINISH ON REQUEST
HANDCRAFTED IN FRANCE
BIOGRAPHY
DOWNLOAD PRODUCT INFO

Boutillier’s ÉCHASSIER collection, aptly named after the French word for wading bird, draws upon the poised morphology of long-legged herons, cranes, or egrets, translating their attenuated elegance into a language of contemporary abstraction. The term derives from échasse, meaning stilt, and signals the elevated, slender stance that defines the collection’s structure. Each work is conceived as a continuous, enveloping volume, with The generously curved seat and backrest reading as a single sculpted form. The silhouette suggests a living presence, faintly recalling the zoomorphic wit of Claude and François-Xavier Lalanne, yet distilled into a minimalist, architectural grammar
The slender cylindrical legs, carved from solid natural oak, evoke the fine yet resilient limbs of long-legged waterbirds. Their upper joints resolve in hemispherical forms that press seamlessly into the upholstered body, eliminating superfluous transitions. This precise junction underscores the duality at the heart of the collection: structure and softness, mass and lift, rigor and tactility
Fully upholstered in alpaca velvet, the seating volume possesses a quiet density and depth. Its surface absorbs light with a matte richness that contrasts against the smooth, pale grain of the oak. The interplay between textile and timber produces a restrained tension, a dialogue between grounded stability and avian lightness
Elegant yet elemental, the seating works function as subtle presences within a room. Handcrafted in France by master artisans, each work reflects an exacting commitment to material integrity and proportion. The result is a collectible object that balances abstraction with familiarity, at once sculptural and inhabitable, disciplined yet gently animated


